Penelopethemovie

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[CRITICAL] SIERANEVADA

SIERANEVADA starts out as a day that we all lived. A man goes to a family dinner in the company of his wife. In the car, she the basin, but remains rather quiet. What they say to breathe the banality of married life. And then they arrive at the small party. People meet, speak to […]

[CRITICAL] IF I WAS A MAN

After Under the skirts of girls Audrey Dana returns with IF I WAS A MAN and endures in his quest for reconciliation between men and women. The profound desire ofAudrey Dana, as a filmmaker committed, is to prove that there is no split between genders, but a part of feminine and masculine in each of […]

[CRITICAL TO] SILENCE

It took years for Scorsese to adapt Silence, the novel of Shusaku Endo. The result is a work that is rich in its symbolic that by the power of the images. In the Seventeenth century, in the full evangelization of the catholic church, the Japan decreed illegal this religion. The ready-jesuit Father SebastiĆ£o Rodrigues (Andrew […]

[CRITICAL] SING STREET

After a passage on the other side of the Atlantic with New York Melody, in which Keira Knightley embarked on the creation of an original album by way of the foot of the nose to her ex, John Carney returns to his native Ireland with SING STREET. Revealed by Once, where a couple is formed […]

[CRITICAL] SKY

The scene is unlikely. Diane Kruger, in a disguise of a pin-up way Playboy, disguised as a truck stolen, all in Las Vegas. The actress hopped, uncomfortable in the middle of two look-alikes of Elvis. And yet this is not so outlandish in the light of the course of Romy, her character in SKY. Travel […]

[CRITICAL] SNOWDEN

SNOWDEN looks back at the career of the engineer in computer systems who decided to reveal the methods of u.s. intelligence. In some articles, the world learned that he was being watched on a scale unimaginable. The us intelligence agencies (NSA and CIA) have not only put on listening to great leaders or personalities, ambiguous, […]

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