Penelopethemovie

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[CRITICAL] TOUR DE FRANCE

They are rare in the comedian‘s that you can shoot the camera to the shoulder, in video format , and in direct light, while being almost certain to reach a state of-a-bitch, and that, whatever the quality of the image, plan, or scenario… there is Fabrice Lucchini , Benedict Poolevorde ; Vincent Cassel in a […]

[CRITICAL] STALKING IN BOSTON

In his quest for authenticity, Berg forget his story and his characters, making Tracks in Boston or a good documentary or a good thriller. Peter Berg would have definitively finished with the science-fiction highly touted and mercantile (Hancock, Battleship) ? At least that is what one might expect with his latest creation inspired by real […]

[CRITICAL] TRIPLE 9

The new film by Australian John Hillcoat opens with a prologue from hell, on steroids and led to a hundred at a time. A first steering under high-voltage, boosted by a camera on the shoulder relentless and intense music, which has also worked with Atticus Ross, one of the faithful collaborators of David Fincher. These […]

[CRITICAL] THREE MEMORIES OF MY YOUTH

TO READ ALSO : How I played … (my sex life), Arnaud Desplechin – 1996 Currently presented in the Directors ‘ Fortnight at Cannes, THREE MEMORIES OF MY YOUTH is a prequel to How I Played… (my Sex Life). However, there is no need to have seen the previous game to be able to enjoy […]

[CRITICAL] THOU shalt NOT KILL

The drama the more poignant me away hardly a tear, while the heroism of ordinary gnawing in me emotions that are visceral. Taken by the throat from the beginning to the end of THOU shalt NOT KILL, needless to say, this criticism will be much more subjective : it is an answer almost intimate film. […]

[CRITICAL] TUNNEL

After a Hard Day Kim Seong-hun attacks, with the same mixture of tragi-comedy, disaster movie with Tunnel. Our interview with Kim Seong-hun After the collapse of a tunnel through which he passed in the car, Lee Jung-soo (Ha Jeong‑woo) finds himself buried alive. TUNNEL is then built on the two spaces. On one side, this […]

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