Sophie Fillières has a place quite singular in the French comedy. His films have in common a sense of the breakdown of your very pushed, in the service of a human which is part of a detailed description of the daily life. The comical character of his films is absolutely not frontal but is located […]
[CRITICAL] ASSASSIN’S CREED
[CRITICAL] over THE MOUNTAINS
[CRITICAL] THE NAME OF MY DAUGHTER
The director Vincent Garenq is accustomed to films that address both the Justice and injustice that is faced by sometimes men. He had already traced the journey of a man wrongly accused in the case Outreau with Presumed guilty, and the one of Denis Robert in the case of Clearstream with The Investigation. It has […]
[CRITICAL] HAIL CAESAR !
The filmography of the Coen brothers is of an exceptional quality, there is no doubt about it. However, there are a number of films to be lighter, often comedies anecdotal, where their style can be felt without enthusiasm. What gives films like Burn After Reading, Ladykiller, Intolerable Cruelty or raising Arizona. The real question persists […]
[critical] the AVENGERS : AGE Of ULTRON
This is it, the blockbuster ultra-anticipated AVENGERS: AGE Of ULTRON is here ! Our super-heroes get together again, the humor and the sensitivity Whedon are present (and awesome), there’s always this alternation between scenes of quiet and/or intimate with the big fighting/explosions/mass destruction… Always enjoyable. In fact, everything is more or less like in Avengers […]
[CRITICAL] BABY monitor
For his first film, BABY PHONE, Olivier, Casas offers a comedy squeaky on the consequences of little lies between friends in their thirties. BABY PHONE gives the opportunity to think, while funny, many serious topics around the couple, the family, of parenting, of friendship, but also of her dreams of children. Olivier Casas, who had […]