Which piece is an example of Micropolyphony?

Which piece is an example of Micropolyphony?

An example of the application of micropolyphony is Ligeti’s composition Requiem for Soprano, Mezzo-Soprano, Mixed Choir, and Orchestra, a piece which became more widely known through the soundtrack to Stanley Kubrick’s film 2001: A Space Odyssey.

Who did Ligeti study with?

Ligeti began taking piano lessons at age 14 and soon wrote his first composition, a waltz. Because he was a Jew living under the Nazi-puppet regime in Hungary, he was forbidden university study and thus enrolled in the Kolozsvar Conservatory in 1941, and began studies with Ferenc Farkas, a Respighi pupil.

Who invented Micropolyphony?

György Ligeti
Micropolyphony is a kind of polyphonic musical texture developed by György Ligeti which consists of many lines of dense canons moving at different tempos or rhythms, thus resulting in tone clusters vertically.

Which term refers to a texture of many lines of dense canons moving at different tempos or rhythms?

Micropolyphony is a kind of polyphonic musical texture developed by György Ligeti which consists of many lines of dense canons moving at different tempos or rhythms, thus resulting in tone clusters vertically.

What does György Sándor Ligeti mean?

György Sándor Ligeti (/ ˈlɪɡəti /; Hungarian: Ligeti György Sándor [ˈliɡɛti ˈɟørɟ ˈʃaːndor]; 28 May 1923 – 12 June 2006) was a Hungarian-Austrian composer of contemporary classical music.

What kind of movies has Lontano been in?

At the German premiere of that film, by which time Kubrick had died, his widow was escorted by Ligeti himself. Ligeti’s work has also been used in numerous films by other directors. Lontano was also used in Martin Scorsese ‘s 2010 psychological thriller film Shutter Island.

Who is Ligeti?

Invited by Walter Fink, Ligeti was the first composer featured in the annual Komponistenporträt of the Rheingau Musik Festival in 1990.

When did György Ligeti die?

Anon. n.d. (b) ” György Ligeti (1923–2006) “. Pytheas Center for Contemporary Music website (Accessed 22 October 2013). Bauer, Amy. 2011. Ligeti’s Laments: Nostalgia, Exoticism, and the Absolute. Aldershot: Ashagte. ISBN 978-1-4094-0041-7. Bauer, Amy, and Márton Kerékfy, eds. 2017. György Ligeti’s Cultural Identities. Routledge, 2017.

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