What is one characteristic of the English madrigal?
Most madrigals were sung a cappella, meaning without instrumental accompaniment, and used polyphonic texture, in which each singer has a separate musical line. A major feature of madrigals was word painting, a technique also known as a madrigalism, used by composers to make the music match and reflect the lyrics.
What is an Italian madrigal?
A madrigal is a secular vocal music composition of the Renaissance (15th–16th c.) By the mid 16th century, Italian composers began merging the madrigal into the composition of the cantata and the dialogue; and by the early 17th century, the aria replaced the madrigal in opera.
Did the English madrigal preceded the Italian madrigal?
The English madrigal preceded the development of the Italian madrigal by some one hundred years. The chief concern of the early madrigalists was to give pleasure to the amateur performer. The text of John Farmer’s Fair Phyllis refers to real historical figures. Where did the madrigal first emerge as an important genre?
What are English madrigals based on?
The 14th-century madrigal is based on a relatively constant poetic form of two or three stanzas of three lines each, with 7 or 11 syllables per line. Musically, it is most often set polyphonically (i.e., more than one voice part) in two parts, with the musical form reflecting the structure of the poem.
Which Italian composer had a big influence on English madrigal?
Style and characteristics. Most likely the impetus for writing madrigals came through the influence of Alfonso Ferrabosco, who worked in England in the 1560s and 1570s in Queen Elizabeth’s court; he wrote many works in the form, and not only did they prove popular but they inspired some imitation by local composers.
Is a collection of Italian madrigals fitted with English text?
Musica transalpina was a collection of Italian madrigals, mostly by Ferrabosco and Marenzio, fitted with English words.
What were the central features of the Italian madrigal?
Texture included a mixture of imitative polyphony, contrapuntally decorative homophony, and a strict homophonic, chordal style. The early madrigals were mostly set homophonically with symmetrical phrasing and the occasional repetition which followed the text.
Which composer is remembered for his English madrigals?
While William Byrd, probably the most famous English composer of the time, experimented with the madrigal form, he never actually called his works madrigals, and shortly after writing some secular songs in madrigalian style returned to writing mostly sacred music.
How did English madrigals such as those by John Farmer differ from their Italian counterparts?
How did English madrigals, such as those by John Farmer, differ from their Italian counterparts? They were often simpler and lighter in style. How does Lassus exemplify the increasingly international profile of late sixteenth-century composers? In this chapter, which composers are associated with the chanson?
Which composer was influential in the later Italian madrigal tradition?
Claudio Monteverdi (c1567-1643): This Italian was a transitional figure who began composing in the late Renaissance style and then became the most influential composer of the early Baroque. His most important works are early operas (such as L’Orfeo,1607), experimental madrigals, and Catholic sacred music.
Who is the father of the English madrigal?
Morley
Morley has been called the father of the English madrigal. He was the earliest and the chief figure in the wholesale transplantation of the Italian madrigal tradition to England, and the quick assimilation of Italian styles and forms into a burgeoning English tradition was largely of his doing.
Who is the greatest English composer of Madrigal?
William Byrd, (born 1539/40, London, England—died July 4, 1623, Stondon Massey, Essex, England), English organist and composer of the Shakespearean age who is best known for his development of the English madrigal.
What is the difference between Italian and English madrigals?
English madrigals are similar to 16th century Italian renaissance madrigals, but are sung in English. Italian madrigals were imported to England by Italian composers who worked at Elizabeth I’s court, such as Alfonso Ferrabosco (Kennedy & Bourne, 2006b).
What is Madrigal?
Madrigal can refer to 14th century Italian Trecento madrigals, 16th century Italian renaissance madrigals or 16th century English madrigal. They are all secular songs based on poems.
Who introduced madrigals to England?
Italian madrigals were imported to England by Italian composers who worked at Elizabeth I’s court, such as Alfonso Ferrabosco (Kennedy & Bourne, 2006b). Musica Transalpina was then published in England by Nicholas Yonge which contained 81 madrigals and had a great influence in England (Latham, 2011).
When did the madrigal lose its popularity?
English and German composers, too, took up the madrigal in its heyday. After the 1630s, the madrigal began to merge with the cantata and the dialogue. With the rise of opera in the early 17th century, the aria gradually displaced the madrigal.