[CRITICAL] DIVERGENT 3 : BEYOND THE WALL

It will be enough of a scene to DIVERGENT 3 : BEYOND THE WALL. A scene indicative of the weaknesses of the artistic direction of the saga since its inception at the cinema (it does not allow to judge the books of Veronica Roth, in which these films are the adaptation, we did not read). […]

[CRITICAL 1] DIVINE

Find our negative criticism of the film, here For the one who receives it, the Golden Camera may be a reward more pleasurable even than the Palme d’or. It celebrates a first film, embodies a talent and opens the doors to a next realization… Then when Houda benyamina l receives her award, she took the […]

[CRITICAL] DON’t BREATHE – THE HOUSE OF DARKNESS

What a surprise it was to discover DON’t BREATHE ! It must be said that with posters announcing it as the “best horror film” and not forgetting to remind the previous work of the director, namely the reboot ofEvil Dead (film de Sam Raimi from 1981 to the original), everything was done for preparing to […]

[counter-critique] DUMB & DUMBER

Thepitch : twenty years after Lloyd (Jim Carrey) and Harry (Jeff Daniels) are still friends – and still so stupid ! When they learn that Harry is the father, the two friends embark on a new road trip in search of his daughter. They will criss-cross the country and meet people all more improbable than […]

[CRITICAL] DUNKIRK

Director venturing of its kind in genre, Christopher Nolan tackles this time in the war film about the evacuation of the troops stranded at Dunkirk. Considered, rightly, as a filmmaker sophisticated, but cold, Christopher Nolan has passes a milestone essential with Interstellar in bringing in his movie a dose of emotion that head past his […]

[CRITICAL E-CINEMA] DANNY COLLINS

At the cinema, and finally there are relatively few actors or actresses who, by their mere will and presence, manage to justify that one wears a look on their movie. Al Pacino is part of it. Even his films the most disappointing leave the watch with him. Exception may be with the pathetic Jack and […]

[CRITICAL] The ECONOMY OF the COUPLE

A year after The white knights Joachim Lafosse is looking back in the registry intimate of the family unit with The ECONOMY OF the COUPLE. A theme that is dear to him since he had already explored in A perdre la raison in 2010, Bare ownership in 2006 or even Madness private in 2004. This […]

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