Month: October 2018

 RÉALITÉ has all of the UFO film. Story impossible to summarize, scenario perilous to analyze, conduct, convoluted and preposterous, the truth is elsewhere. Quentin Dupieux invoke David Lynch, psychoanalysis and surrealism to feel the pangs of the creation. Halfway between fascination and skepticism, the viewer is let ourselves get carried away in a story without […]

Merida, the daughter of the king of Scotland, is a young girl, impetuous and wild, who would prefer to be archère. Following an argument with his mother, she made a choice desperate and that will have major consequences on the kingdom of his father and the life of his mother. To put things in order, […]

All films are not equal. For example, the documentary points out, the HISTORY Of CREATION is not available in all the rooms. For Paris, most of the network MK2. In Lyon, only a room. But the word-of-mouth does its work, and the film by Thierry Demaizière and Alban Teurlai eventually meet his public. Points out, […]

Adapted from the best selling novel by Maylis de Kerangal, REPAIR THE LIVING tells the story of twenty-four hours in the life of two families, one completely shattered by the loss of their son, the other waiting for a heart saving. After death, it is life that needs to continue and even possibly repair for […]

Tragicomedy wearing a look of sarcastic on the bureaucracy and the Serbian political, Requiem for Mrs. J. requires the young filmmaker Bojan Vuletić figure of the cinema of the balkans to follow very closely. Already director of Practical Guide to Belgrade with Singing and Crying 2011, REQUIEM FOR MRS. J. is the second feature film […]

Fifth feature of the French Alain Guiraudie, STAY VERTICAL is perfectly in line with the continuity of his previous, The unknown of the lake (2013), rewarded in Cannes in the selection un certain regard by the Price of the staging. Now, regardless of the track record of this festival, the filmmaker achieved a form of […]

ROBOCOP has aged badly, it is undeniable. The special effects are from another era, the costumes are old-fashioned (my god, the clothing of police officers is an aesthetic that is truly hideous), but despite it all the film retains a certain quaint charm. the first half hour promises a classic of SF. Peter Weller (seen […]