In the previous folder Escape Impossible, we observed that some of the characters could be aware of their character fictional. Are expanding the fields of study and review the different manifestations and uses of the artificial to the film. We will treat it in three parts : – The SCREEN IS A MASK STITCHED INTO […]
fantastic Cinema : Discourses of artificial 3/3
In the previous folder Escape Impossible, we observed that some of the characters could be aware of their character fictional. Are expanding the fields of study and review the different manifestations and uses of the artificial to the film. We will treat it in three parts : – The SCREEN IS A MASK STITCHED INTO […]
state of the viewer : reflections on our place in the cinema
What happens when we sit in a movie theater ? How to be a spectator represents a position, a condition or a particular state ? The carpet in the theater room absorbs the sound of my footsteps. I’m moving to reach my chair, and yet I don’t hear any more. That happened between the moment […]
Festival de GÉRARDMER : 5 films to remember
Return of the twenty-fourth festival of GÉRARDMER, where I had the pleasure and honor to be a member of the jury SyFy; I propose to you today a selection of five films that have particularly attracted my attention during these five days absolutely trippants. MARGAUX directed by Rémy Barbe, Joseph Book and Josephine Hopkins, with […]
[INTERVIEW] JULIEN RICHARD-THOMSON
In the film, the journey of a filmmaker can be hectic, especially if the latter has chosen the alternative route, where instead of the route “cinema bis”. Back on the tumultuous career of Julien Richard-Thomson, flag-bearer of the thought “Do it yourself” became a cult for its series Z schoolboy of the 90’s. You didn’t […]
THE BIRTH OF NARCISSUS, the master of the I – Critical
On paper, THE BIRTH OF NARCISSUS is presented as a science-fiction film. But the result bypasses the scientific issues and moral kind, for the benefit of an atmosphere that is both confusing thriller fantastic. To be completely objective, it would be necessary to criticize the films self-produced without considering their budgets, starting from the principle […]
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[CRITICAL] THE NIGHT HAS DEVOURED THE WORLD
The dead leaves gather to the shovel, the dead-the living and the regrets also. Dominique Rock the shows with THE NIGHT HAS DEVOURED THE WORLD, zombie movie, French or more specifically parisian. Reviews are often parties of a premise that is discouraging, according to which the fantastic cinema was struggling to print the collective unconscious […]