Month: October 2018

Yorgos Lanthimos returns with killing OF the SACRED DEER, a tragedy of ancient accents hitchcockiens, which takes the form of a farce. Director formalist and fond of aesthetic touches, the Greek Yorgos Lanthimos has reached a new level in terms of reputation with The Lobster, a love story in a near future where single people […]

A filmmaker a little bit conscientious, and a fortiori of Sean Penn, what is required above all is that we inflict a piece of propaganda pumped full of good feelings. His previous films had as default to insist a little too heavily on the pathos of the story (close-ups on eyes, wet by tears, zoom […]

Le Greek Yorgos Lanthimos has made it known to the public thanks to Canine, his first feature film, presented at Cannes in the section un Certain Regard in 2009. Like many others before him, he went through a selection parallel in the first to, today, to integrate with their 3rd film, THE LOBSTER, the prestigious […]

The Lost City of Z extends to the grounds of the cinema of James Gray, making him earn a extent crazy. Attention, great movie ! Unquestionably one of the directors of the most gifted of his generation, James Gray is unfortunately far too rare. Since Little Odessawas released in 1995 in us, his filmography boils […]

Carried by a stratospheric Joaquin Poenix, The Master is the film by Paul Thomas Anderson that happens the better to combine virtuosity and formal emotion. The sea, battered by the wake of a boat. Disorderly but consistently, constantly changing, in motion. Here’s the plan-the inaugural of THE MASTER, the 6th feature film of Paul Thomas […]

READ ALSO, our counter-critique of the film Avec Birdman, mexican director Alejandro González Inárritu is spent in another dimension, in particular through the recognition of the hollywood industry, which was rewarded at the Oscars. If there has always been in his films a sense of performance and a desire to be noticed, it has taken […]

Already highly noticed with Snow Therapy, his previous film, Ruben Östlund hit a big shot with The Square, a social satire as funny as terrifying able to shake its viewer. He was forty-three years old, is Swedish and starts to become accustomed to the Cannes film Festival. This from his second film, Happy Sweden (un […]