[CRITICAL] THE STRANGERS

In 2009, Na Hong-jin had made everyone agree with his first film, experiencing The Chaser. For his third feature film, south Korean director remains in the thriller, but goes on the ground is more risky : the fantastic. Any part of a man killing his wife, a beginning basic police investigation in sum. Except that […]

[CRITICAL] THE TREE OF LIFE (2011)

Everything has already been said or almost about THE TREE OF LIFE. Masterpiece for some, a realization of the grotesque and terribly long for the other, the fifth feature film from Terrence Malick has at least had the merit of not leave anyone indifferent. THE TREE OF LIFE can be qualified as the work’s ultimate […]

[CRITICAL] THE VISIT

Shyamalan is one of those directors whose renewal just so happen that we wonder if it is possible. Presented as the new Spielberg there was that a few years, hope the fallen is coming to do two blockbusters misfires (The Last airbender and After Earth), and returns in 2015 with a film which is smaller, […]

[CRITICAL] THE WITCH

Jewel dark of the official selection of the 23rd festival international du film fantastique de Gérardmer, THE WITCH has won the prix du jury Syfy (in partnership with Canalsat), of which I had the honor to participate to the Blog of the Film, in the company of counterparts of Rockyrama, Oblikon, Bubbles of Culture and […]

[CRITICAL] THE YOUNG LADY

With his first feature film, The Young Lady, William Oldroyd carries out a period film sober and fascinating in which a woman becomes the criminal, brought by the company. From the world of theatre, the director, William Oldroyd and writer Alice Birch embarking on their first feature-length film with THE YOUNG LADY (Lady Macbeth, the […]

[CRITICAL] TONI ERDMANN

It is through the knowledge of Winfried as we enter TONI ERDMANN, the third film from director German Maren Ade. The man at the gab, and a keen sense of the formula. When a mailman comes to deliver a package, he escapes for a few moments and disguises himself as another man – his brother. […]

[CRITICAL] TORIL

TORIL begins on a sequence of silent, followed by a second and then a third. Almost ten minutes of film, and nobody has yet said a word. Yet the stakes of the characters are perfectly legible and is not wolves in the agricultural sector in camargue. When the actors finally take the floor, directed by […]

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