They are rare in the comedian‘s that you can shoot the camera to the shoulder, in video format , and in direct light, while being almost certain to reach a state of-a-bitch, and that, whatever the quality of the image, plan, or scenario… there is Fabrice Lucchini , Benedict Poolevorde ; Vincent Cassel in a […]
[CRITICAL] STALKING IN BOSTON
In his quest for authenticity, Berg forget his story and his characters, making Tracks in Boston or a good documentary or a good thriller. Peter Berg would have definitively finished with the science-fiction highly touted and mercantile (Hancock, Battleship) ? At least that is what one might expect with his latest creation inspired by real […]
[CRITICAL] TRIPLE 9
The new film by Australian John Hillcoat opens with a prologue from hell, on steroids and led to a hundred at a time. A first steering under high-voltage, boosted by a camera on the shoulder relentless and intense music, which has also worked with Atticus Ross, one of the faithful collaborators of David Fincher. These […]
[CRITICAL] THREE MEMORIES OF MY YOUTH
[CRITICAL] THOU shalt NOT KILL
The drama the more poignant me away hardly a tear, while the heroism of ordinary gnawing in me emotions that are visceral. Taken by the throat from the beginning to the end of THOU shalt NOT KILL, needless to say, this criticism will be much more subjective : it is an answer almost intimate film. […]
[CRITICAL] TUNNEL
After a Hard Day Kim Seong-hun attacks, with the same mixture of tragi-comedy, disaster movie with Tunnel. Our interview with Kim Seong-hun After the collapse of a tunnel through which he passed in the car, Lee Jung-soo (Ha Jeong‑woo) finds himself buried alive. TUNNEL is then built on the two spaces. On one side, this […]
[critical] YOU WANT OR YOU WANT NOT ?
Qwhen Pitch Marshall wants to make of Lars Von Trier, it does not work. Fifteen years after the césarisé Venus Beauty (Institute), we discover You want or you want not ? a comedy exasperating on all fronts. Starting from an umpteenth staging of the addiction sexual, the film changes the registry to turn into a […]