Adapted from Brian Selznick, The museum of wonders is a delicate ode to the childhood in which Todd Haynes mania formal proposals and emotions. Ben lives in the 70s, Rose in the years 20. They are deaf but each of them embarking on a quest similar to find an unknown parent, or disappeared. The Museum […]
[CRITICAL] WONDER WOMAN
Under its air of feminist film and modern Wonder Woman reproduces the usual clichés, but it is no less an entertainment to be convincing. During the pre-first paris at the Grand Rex in WONDER WOMAN, bringing together public and journalists, a viewer dares to suddenly yell : “Fuck ! “. A few laughs, embarrassed all […]
[CRITICAL] xXx : REACTIVATED
[CRITICAL] YOJIMBO (1961), SANJURO (1962)
The January 25, 2017, re-release in cinemas by the distributor Carlotta, of the 8 films of Kurosawa. – The More Worthily ★★★☆☆ (our review) – A wonderful Sunday ★★★★☆ (our review) – The Angel Drunk ★★★★★ (our critique) – Mad Dog ★★★★★ – Live ★★★☆☆ – The hidden fortress ★★★★★ (our critique) – Yojimbo (DVD […]
[CRITICAL] A BEAUTIFUL DAY
Joaquin Phoenix devours the film in A BEAUTIFUL DAY, a polar haunted amplitude aesthetic and emotional mind-blowing. A BEAUTIFUL DAY opens on a count where two voices on superimposed, that of a child and an adult. In parallel, a man is choking and another meets a mysterious mission in the shedding of blood. A lot […]
[CRITICAL] ZOOTOPIE
ZOOTOPIE, to my mind, is to consider it as a “film producers”, led by an overall vision of organizing different formal aspects, around an idea, a MORAL. This producer will therefore be John Lasseter, a former director of the studio Pixar and, since 2006, creative director of the animation department of Disney. The guy has […]