Month: November 2018

Twin Peaks : Fire Walk With Me, the movie prequel of the TV series had the ambition to give certain answers, it is rather a Lynch unbalanced which spoils further the mystery. Ovationné in Cannes during the presentation of the first three episodes of the long-awaited season 3 of Twin Peaks, moved to tears in […]

Videodrome is apparent in the rooms, the opportunity to revisit this classic of fantastic cinema, which, almost 30 years later, a testament to its visionary nature. At the time of the development of reality tv seems to have taken on any form of audiovisual entertainment, Splendor Films, who could not attend feverishly to the rise […]

Of its elegance to his mythical figure, DIAMOND SOFA has never ceased to provoke passion and quotation. For this air is so melancholy a “river of the moon”, for its refinement and grace of the look, but especially for its actress, Audrey Hepburn, and the magic of his face. The look has the wonderful distinction […]

In Montana, during the period between the two world wars, it is a small town surrounded by green hills… And in the middle flows a river. It is a singular film about the education, the family and the lost paradise – America’s wild became, since the deep America -, signed by Robert Redford in 1992; […]

Two great works from the master of japanese cinema postmodern, Takeshi Kitano, are again made visible in the room : Hana-Bi and Kids Return. After the came out happy in July 2016 of Kikujiro, distributor Rabbia extends the rediscovery of the colossal work of Takeshi Kitano – coming out August 9, 2017 KIDS RETURN (1996) […]

With the out-of-ROUND in a restored print, we are replongés in this monument of French cinema, a work that is breathtaking when the heart light batifole with the torments of a desire to repeat. In the whirlwind of the passions of libertines, Ophüls evokes an elegance and a virtuosity no doubt the tourbillon lover. As […]

Analysis without concession of an America divided between puritanism and the sexual revolution, The Winner quickly became the icon of a society which was present its cultural upheavals. Of course, Who’s afraid of Virginia Woolf ? had cardstock in 1966 in between furiously the two holy monsters Elizabeth Taylor and Richard Burton in a brilliant […]