[CRITICAL] SPOTLIGHT

SPOTLIGHT is a little movie of the start of this year out of nowhere. A director orders a little known of our radars, the post Birdman for Michael Keaton reinvigorated and a rain of nominations for the upcoming Oscars. Intriguing, all the more that despite the hot topic, based on the terrible elements that have […]

[critical] SPRING

Hasnearly the grief of his mother, Evan decided on a whim, to flee his hometown natal, and his life of shit. By chance of fate, he will end up in Italy, and finally meet Louise… SPRING can be defined by three things: the exoticism of an Italian city beautiful, a romantic comedy indée, and a […]

[critical] Spring Breakers

Candy, Faith, Brit and Cotty are friends since the primary school. The four young girls, ‘ve had enough of their monotonous life, want to go to Florida for their Spring Break. Having no money, they decide to steer a fast food restaurant and use the money to go on vacation. The celebration will be short […]

[critical] SPY

Nnew movie directed by Paul Feig, SPY, also marks his third collaboration with his favorite actress, his muse comic by the name of Melissa McCarthy. Bridesmaid in My Best Friends, fliquette in The Flingueuses, she slips in here under the features of Susan Cooper, a modest and unobtrusive analyst for the CIA. In this comedy […]

[critical] Star Trek

The greatest odyssey space all the time sees the light of day in the new Star Trek, featuring the first trip to an all-new crew aboard the U. S. S. Enterprise, the spaceship of the most sophisticated of the story. In this journey, strewn with dangers, action and humour, the new recruits must do everything […]

[critical] STILL ALICE

E n two occasions, in STILL ALICE, dr. Alice Howland (Julianne Moore) is seen in the mirror of his bathroom. The second time, however, it does not recognize. It is thatAlice, a professor recognized of linguistics at Columbia University, was diagnosed with an early form of Alzheimer’s disease, which made him gradually lose touch with […]

[critical] STINKING HEAVEN

Thehas programming of the Champs-Elysées Film Festival has the merit to stir up broad within the independent film american. After two documentaries (Cartel Land and Welcome to Leith), a comedy-drama of consensus (The Road Within) and one which is significantly less (Nasty Baby), here is presented a film that is unclassifiable : STINKING HEAVEN. In […]

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