[CRITICAL] IN THE FOREST

Gilles Marchand finally returns behind the camera with IN THE FOREST, his third feature film, a pure film of atmosphere anxiety-inducing and terrifying. If there’s a term to describe a Gilles Dealer, it is surely the strangeness. A style feeling both in its scenarios – particularly with Dominik Moll (Harry, a friend who wants you […]

[CRITICAL] IN THE DARK

Has the origin of IN THE DARK (Lights Out in English, not to be confused with In the Dark, in the dining room September 16, 2016) there is a modest short film of the same name (to discover here). A small film broke, which, in less than three minutes, with an actress, one piece and […]

[CRITICAL] DEADPOOL

It must be said, expected, warmly this DEADPOOL. While the super-hero of the moment will show all the more boring and predictable than others (see our ras-le-bol Marvel), opting for the mass destruction and the headache in perspective (see our discussion around Batman vs Superman), that’s a pleasure in breaking literally codes. Already in his […]

[CRITICAL] TOMORROW AND EVERY OTHER DAY

Tomorrow and every other day,the new film by Noémie Lvovsky after Camille Redouble is in competition at the Festival Francophone d’angoulême. Matilda (Luce Rodriguez, a true revelation of the film) is a little girl mischievous and intelligent. The problem, it’s his mother’s fragile, performed by Noémie Lvovsky. His brain does not work properly to be […]

[CRITICAL] the future BEGINS

The ambitious goal of the future BEGINS has been clearly announced : to bring joy and emotions to the viewer. The safe value of the film is, of course, Omar Sy. As for CHOCOLATE for Roschdy Zem, he has been on the project since the beginning. It has validated the scenario and the choice of […]

[CRITICAL] DEMOLITION

The previous film of Jean-Marc Vallée, Wild (2014), featured the life of Cheryl Strayed, fallen to the lowest (in the sex and drugs), following the death of his mother. The young girl was going to finally bounce back and rebuild themselves through a journey of initiation in nature. With DEMOLITION the canadian director discusses the […]

[CRITICAL] LAST TRAIN TO BUSAN

Director emeritus from the flourishing industry of cinema of animation from south korea (which is thriving thanks to the sub-supplier that it carries out for large productions, american and japanese), Yeon Sang-ho was noted for the dark and gritty, The King of Pings and The Fake. LAST TRAIN TO BUSAN is therefore its first appearance […]

Begin typing your search term above and press enter to search. Press ESC to cancel.

Back To Top