[CRITICAL] THE WITCH

Jewel dark of the official selection of the 23rd festival international du film fantastique de Gérardmer, THE WITCH has won the prix du jury Syfy (in partnership with Canalsat), of which I had the honor to participate to the Blog of the Film, in the company of counterparts of Rockyrama, Oblikon, Bubbles of Culture and […]

[CRITICAL] THE YOUNG LADY

With his first feature film, The Young Lady, William Oldroyd carries out a period film sober and fascinating in which a woman becomes the criminal, brought by the company. From the world of theatre, the director, William Oldroyd and writer Alice Birch embarking on their first feature-length film with THE YOUNG LADY (Lady Macbeth, the […]

[CRITICAL] TONI ERDMANN

It is through the knowledge of Winfried as we enter TONI ERDMANN, the third film from director German Maren Ade. The man at the gab, and a keen sense of the formula. When a mailman comes to deliver a package, he escapes for a few moments and disguises himself as another man – his brother. […]

[CRITICAL] TORIL

TORIL begins on a sequence of silent, followed by a second and then a third. Almost ten minutes of film, and nobody has yet said a word. Yet the stakes of the characters are perfectly legible and is not wolves in the agricultural sector in camargue. When the actors finally take the floor, directed by […]

[CRITICAL] TOUR DE FRANCE

They are rare in the comedian‘s that you can shoot the camera to the shoulder, in video format , and in direct light, while being almost certain to reach a state of-a-bitch, and that, whatever the quality of the image, plan, or scenario… there is Fabrice Lucchini , Benedict Poolevorde ; Vincent Cassel in a […]

[CRITICAL] STALKING IN BOSTON

In his quest for authenticity, Berg forget his story and his characters, making Tracks in Boston or a good documentary or a good thriller. Peter Berg would have definitively finished with the science-fiction highly touted and mercantile (Hancock, Battleship) ? At least that is what one might expect with his latest creation inspired by real […]

[CRITICAL] TRIPLE 9

The new film by Australian John Hillcoat opens with a prologue from hell, on steroids and led to a hundred at a time. A first steering under high-voltage, boosted by a camera on the shoulder relentless and intense music, which has also worked with Atticus Ross, one of the faithful collaborators of David Fincher. These […]

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