[CRITICAL] IN THE FORESTS OF SIBERIA

To read also, our second opinion on IN THE FORESTS OF SIBERIA The silence, the calming, the simple pleasure of being alone in the face of oneself, to be free from all constraint… who has never dreamed of from afar the roar of the world, to stop the incredible race against time ? The writer […]

[CRITICAL] MOST BEAUTIFUL

By choosing as the entry point after the illness, rarely tackled in cinema, the most beautiful of Anne-Gaëlle Daval deals movingly a question more universal : the acceptance and transmission of the femininity. Our interview with Anne-Gaëlle Daval March 8 is the International day of the rights of the Woman and this is probably not […]

[CRITICAL] DESIERTO

DESIERTO is a film that is sincere. He would like to pass a message about the world situation, on the reality of immigration. But already, this message does not frontally. If it is actually a history of mexicans seeking to pass on the american soil, the heart of the film is the hunt of men […]

[CRITICAL 2] DIVINE

Find our positive review of the film The golden camera of the Cannes film 2016 promised the clitoris, a beautiful energy, and the birth of young talent. This portrait of the daughter of the cities in search of success and money, we will remember in particular a movie foutraque, longuet, and that doesn’t avoid the […]

[CRITICAL] DJANGO

Through Django, Etienne Comar signs a first feature film that makes it sublimely tribute to the man, the artist and his people. The first biopic about Django Reinhardt, father of Gypsy jazz, DJANGO recounts only his or her years under the occupation, from the summer of 1943 to the Liberation. The intention of the director […]

CHARLIE KAUFMAN: CONFESSIONS Of A DANGEROUS MAN (2002)

If we chroniquons this film, 13 years later, it is to try to unravel the mystery of CHARLIE KAUFMAN – if that was possible – before the release of his next feature film Anomalisa, February 3, 2016. Return, therefore, to CONFESSIONS Of A DANGEROUS MAN, where he is still “only” a screenwriter (George Clooney realizes […]

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