Avant of all, I must clarify at what point I went into the meeting with a negative feeling. Ready to puke on the film all my bile criticism, based on “little sex”, “no depth”, “no interest”. Convinced, that I would lose just 2 hours of my life to see a classic romance, from seduction to […]
[CRITICAL] A BIGGER SPLASH
Luca Guadagnino plunges into The pool of Jacques Deray and realizes A BIGGER SPLASH, a remake ambitious that the announcement is for the less exhilarating as the legendary film of 1969 still retains all of its beautiful today. But Luca Guadagnino takes beautiful distances with the original work and offers a genuine reinterpretation. Exit the […]
[CRITICAL] WITH OPEN ARMS
[CRITICAL] ADOPTS A WIDOWER
It would seem that a torrent of good feelings hits currently on the French cinema and ADOPTS A WIDOWER is no exception. So far, this comedy is anything but am bullshitting and covers topics really touching in its gait light. For his second feature film without Thomas Sorriaux (who just realized The Dream Team), François […]
[CRITICAL] The ICE AGE : the LAWS OF The UNIVERSE
Fifth installment of the saga cult signed BlueSky, The ICE AGE, the LAWS OF The UNIVERSE immerses us in the adventures cosmic, quite disappointing. This time, it was a rain of meteorites, and nothing other than the revelation that threaten our characters. If the decorations are fascinating and the secondary characters are full, everything is […]
[CRITICAL] VERY SPECIAL AGENTS – CODE U. N. C. L. E
Decidedly, the secret agents have the rating at this time. After the delusional Kingsman in Matthew Vaughn in the beginning of the year, Spy in Paul Feig and waiting for the release of the next James Bond, Spectre (November 11), here comes VERY SPECIAL AGENTS – CODE U. N. C. L. E, “an adaptation of […]
[CRITICAL] TO THE WONDER (2012)
As is often the in Terrence Malick, the first images are accompanied by a voice-over. This time, it is that of the actress, Ukrainian Olga Kurylenko, and French. Surprising ! This process is recurrent in the american director is for a time less well integrated into the narrative than in his previous works, and takes […]