Ce DAD OR MOM, with The Family Ram, released 1 and a half months earlier, are two comedies popular particularly successful, and doomed to a runaway success… Would this be a form of renaissance of the French cinema ? We, one sees above all a redefinition of the codes of identification of the spectator with […]
[critical] PARANORMAL ACTIVITY
Flippant is the word that we will retain of Paranormal Activity. Sailing on the success of its predecessors ([Rec], The Blair Witch Project, Cloverfield and Cannibal Holocaust, which, contrary to what many people think, invented the genre of the on-board camera and not Blair Witch) and leads us in the footsteps of a young couple […]
[CRITICAL] PATTAYA
PATTAYA, a thai seaside town famous for its climate, its low cost and its sex tourism, it is the paradise of “bastards”. For his second feature film, Franck Gastambide therefore remains in his comfort zone, his familiar universe that is the suburbs. This being the case, building on the success of her first album in […]
[critical] Paul
For 60 years, Paul, an extraterrestrial, living on earth and is working with the u.s. government. He hides out of sight in a military base secret ultra… Paul is at the origin of everything that one could imagine about the aliens, merchandising scenarios Encounters of the third kind , E. T. or X Files. Unfortunately […]
[CRITICAL E-CINEMA] PEOPLE PLACES THINGS
Presented in competition at Sundance last year, it is with pleasure that we find PEOPLE PLACES THINGS in VOD ! Starting from a scenario rather conventional, namely the separation of a couple with children, the director-writer Jim Strouse stands above all the portrait of a man. Empathetic, very understanding, Will is a chic type, which […]
[CRITICAL] PETER ET ELLIOTT LE DRAGON
Madness Disney is not ready to stop. After having betrayed its own version of The Sleeping beauty in Maleficent, has delivered to the taste of the day Cinderella, The Jungle Book , and a soon – beauty And The Beast, the studio’s big-eared attacks the film PETER ET ELLIOTT LE DRAGON. Released in 1977, this […]
[CRITICAL] PHANTOM CINEMA (short film)
In Phantom Cinema, Li-Ming Cheng summons the great names in experimental cinema, and notably that of his compatriot Tsai Ming-Liang. PHANTOM CINEMA, it is the aesthetic of a memory. The spectra of the past, the shadow vanishing point to a reality that is now what remains – there is, in the approach of Li-Ming Cheng, […]